Broken Allures by Jac Berrocal + David Fenech + Vincent Epplay feat Cosey Fanni Tutti and Jah Wobble
Tracklist
| 1. | Warszawa | 2:14 |
| 2. | Tones Of Blue And Red | 3:09 |
| 3. | Cerbère Passage | 2:04 |
| 4. | Outspoken Caress | 3:19 |
| 5. | Viva La Hacienda | 4:38 |
| 6. | Zadar Melodia | 3:22 |
| 7. | Morocco Shanghai | 1:33 |
| 8. | Broken Allures | 3:48 |
| 9. | Coiffeur Pour Vince | 3:10 |
| 10. | Christal Venus | 2:56 |
| 11. | Sondelimosa | 3:32 |
| 12. | Preacher Feature | 4:05 |
Videos
Credits
released September 5, 2024
All tracks written by Jac Berrocal, David Fenech, Vincent Epplay, with Cosey Fanni Tutti on tracks 2, 4 and 5, and Jah Wobble on track 8.
Recorded and mixed by David Fenech and Vincent Epplay in Paris and Villejuif.
Mastered by Martin Bowes at the Cage Studios
Cover artwork by Vincent Epplay
Layout by Abby Helasdottir
Video by Vincent Epplay (YouTube): 'Outspoken Caress' feat Cosey Fanni Tutti: bit.ly/Outspoken-Caress
REVIEWS:
* Best Releases Of 2024: Electronic Sound
* Best Releases Of 2024: Noise Mag
"There's a quality running all the way through 'Broken Allures' that draws you into their futurist otherworld in a manner which feels like a creative peak. And while they further the noble French musique concrète tradition here, the addition of their electronically inclined guest players enables them to weave disparate but complementary oeuvres. Throbbing Gristle's Cosey Fanni Tutti and PiL founder Jah Wobble feature on the manipulated found sound and abstract jazz distortions with perfectly weighted aplomb" (Electronic Sound).
"A forward looking suite of songs... Broken Allures takes many twists and turns in a number of short playful and inventive vignettes of sound... While there's a nocturnal element reminiscent of Carter Tutti work to [Fanni Tutti's] tracks, 'Viva La Hacienda' is rooted in an industrial sound, unmistakably performed by Cosey... Broken Allures has been something of an unexpected treat and I'll certainly be digging into their previous releases. This is great stuff that's really worth seeking out" (Compulsion Online).
"Utterly compelling. A strange, interesting, fascinating, and irresistible mix match of sounds, samples and jazz-like tones that will draw you into its many layers over its forty-minute life span. Strange but also at the same time oddly beautiful" (8/10, Maximum Volume).
"This band really has the makings for a big big audience... This and all the band's previous records will eventually be known as undeniable classics and it's rip-roaringly enjoyable, lounging in the thick of things, watching rock n roll history unfold before our ears" (Jimmy Cochran).
"Un disco che solca territori inesplorati, puro spirito francese di avanguardia, alla scoperta di un esagono occulto e musicalmente ricchissimo, ospiti eccezionali e un differente senso di intendere la musica, scritta come un film che si guarda con la mente, perché gli occhi sono chiusi, viaggi mentali estesissimi e quasi perfezione... energia musicale e ritmica nella sua forma più pura" (In Your Eyes).
"Czas płynie, a trio, w pewnym sensie za każdym kolejnym razem, ukazuje nam swoje nowe oblicze. I za każdym razem podnosi poprzeczkę do góry... Pierwsze minuty dobiegające z głośników i uświadamiamy sobie jak bogate brzmienie, wręcz uchwytne fizycznie udało się uzyskać podczas pracy nad tym albumem. Jego ekspansywna kolorystyka wypełniająca przestrzeń, w jakiejkolwiek słuchamy tego albumu... Po takiej dawce niesamowitości rodzi się tylko jedno pytanie: co będzie następne?" (Anxious Magazine).
All tracks written by Jac Berrocal, David Fenech, Vincent Epplay, with Cosey Fanni Tutti on tracks 2, 4 and 5, and Jah Wobble on track 8.
Recorded and mixed by David Fenech and Vincent Epplay in Paris and Villejuif.
Mastered by Martin Bowes at the Cage Studios
Cover artwork by Vincent Epplay
Layout by Abby Helasdottir
Video by Vincent Epplay (YouTube): 'Outspoken Caress' feat Cosey Fanni Tutti: bit.ly/Outspoken-Caress
REVIEWS:
* Best Releases Of 2024: Electronic Sound
* Best Releases Of 2024: Noise Mag
"There's a quality running all the way through 'Broken Allures' that draws you into their futurist otherworld in a manner which feels like a creative peak. And while they further the noble French musique concrète tradition here, the addition of their electronically inclined guest players enables them to weave disparate but complementary oeuvres. Throbbing Gristle's Cosey Fanni Tutti and PiL founder Jah Wobble feature on the manipulated found sound and abstract jazz distortions with perfectly weighted aplomb" (Electronic Sound).
"A forward looking suite of songs... Broken Allures takes many twists and turns in a number of short playful and inventive vignettes of sound... While there's a nocturnal element reminiscent of Carter Tutti work to [Fanni Tutti's] tracks, 'Viva La Hacienda' is rooted in an industrial sound, unmistakably performed by Cosey... Broken Allures has been something of an unexpected treat and I'll certainly be digging into their previous releases. This is great stuff that's really worth seeking out" (Compulsion Online).
"Utterly compelling. A strange, interesting, fascinating, and irresistible mix match of sounds, samples and jazz-like tones that will draw you into its many layers over its forty-minute life span. Strange but also at the same time oddly beautiful" (8/10, Maximum Volume).
"This band really has the makings for a big big audience... This and all the band's previous records will eventually be known as undeniable classics and it's rip-roaringly enjoyable, lounging in the thick of things, watching rock n roll history unfold before our ears" (Jimmy Cochran).
"Un disco che solca territori inesplorati, puro spirito francese di avanguardia, alla scoperta di un esagono occulto e musicalmente ricchissimo, ospiti eccezionali e un differente senso di intendere la musica, scritta come un film che si guarda con la mente, perché gli occhi sono chiusi, viaggi mentali estesissimi e quasi perfezione... energia musicale e ritmica nella sua forma più pura" (In Your Eyes).
"Czas płynie, a trio, w pewnym sensie za każdym kolejnym razem, ukazuje nam swoje nowe oblicze. I za każdym razem podnosi poprzeczkę do góry... Pierwsze minuty dobiegające z głośników i uświadamiamy sobie jak bogate brzmienie, wręcz uchwytne fizycznie udało się uzyskać podczas pracy nad tym albumem. Jego ekspansywna kolorystyka wypełniająca przestrzeń, w jakiejkolwiek słuchamy tego albumu... Po takiej dawce niesamowitości rodzi się tylko jedno pytanie: co będzie następne?" (Anxious Magazine).
License
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